Sunday, December 1, 1996

demo #14: mosh pit song

i spent a little bit of time with matt during the week. i kind of wasn't expecting the idea of the band to come back up, but he wanted to talk about it a little bit more so i kept an open mind about it. i brought a dubbed tape that i've been adding to along to show him some of the things i've been working on on my own, to see if he'd like to approach any of it. i also brought an unamped guitar just to jam.

he repeated the assertion that he was surprised by how slow the tempo was, and wanted to do something faster. he started talking about how he wanted to get the crowd excited so that they were all worked up and slam dancing, and then maybe send them out into the streets to start a revolution. he also came up with a band name, dukes of anarchy, and a logo that would look something like this:



"have you read the grapes of wrath?"
"no."
"i'm reading it for the independent study, and it's just kind of topical with what you're saying. wouldn't the end result just be chaos, though? people aimlessly breaking things?"
"yeah. yeah. that's the point."
"but then what?"
"then we get laid."
"k."

see, it might seem that i should be a little bit cautious about continuing to jam with this kid, but i know he's just trying to be "cool". he has this idealization of punk rock as being the in-crowd for freaks, and is talking in the ways he thinks he needs to talk to fit into this group. i've seen the media that has put these ideas into his head, too, and i think it's largely fantasy - that these nihilistic teens he's looking up to are really just a marketing invention, and the punk subculture is largely just a fashion trend. but, i also realize that he's actually approaching the punk subculture as a fashion trend, and the idea of inciting a riot as the hip thing to do. what that means, when you add it up, is that his rhetoric is reflective of a tactic to win acceptance in a group he's been told exists by media, and liable to modification relative to the actual realities around winning group acceptance. further, i like the idea of being involved in a political project - if maybe not on those exact terms. i decided quickly that we could talk about the riots after we've written some riot-inducing riffs.

we did not get a lot done, but i brought a number of riffs home with me and turned them into this week's song. the lyrics reflect the discussion i had with matt and are meant solely as placeholders, until he develops some to replace them, or i eventually do.


it's late; i should sleep. i need to get back to the steinbeck tomorrow afternoon.