Sunday, June 28, 2015

werso smidits (initial upload)

originally written in 1996. recorded in feb, 1998. reclaimed june 28, 2015.

https://jasonparent.bandcamp.com/track/werso-smidits

the threat of terrorism is used to restrict civil liberties (initial upload)

initially written in 1996. recreated in feb, 1998. reclaimed june 28, 2015.

https://jasonparent.bandcamp.com/track/the-threat-of-terrorism-is-used-to-restrict-civil-liberties
i think i found the pattern.

1/3 and 2/4 are in sync with each other, as they're on the same bus. and it seems like the difference is constant. if i can pinpoint it directly, i should be able to create an algorithm.
change of tactic...

i'm going to build the tracks i'm pretty sure i'm not going to reinterpret further, first. depending on how it comes out, this may be faster. and it will allow me to pinpoint things and rule things out.
so, i spent the last 36 hours trying to line a bass part up with a drum part, only to realize i'd just warped all the character out of the bass by the time it was done. i was able to fix it by reimporting the file and setting it to the markers i'd found, and it seems to be lined up well enough. but, because of this unexpected complexity in mixing, i'm not going to be replacing any of the tracks on inri004 or inri006 - they're not going to be interchangeable, and i need to maintain those records as documents of the period, even when the vocals are stupid. a better idea is to create a standalone with instrumental remixes - the inrinterpreted record i was contemplating.

the only two singles i'm relatively certain of right now are "schizoid" and "confused", but this is going to be the third or fourth mix of a lot of these tracks, meaning i could end up with many more than that. "mom" makes sense as a single, if i can build the score up enough.

i'm seeing little option but to renumber, unless i can keep the additions to exactly two, in which case i'll take the two demos to negative territory.

what this means is that i'm not going to upload any of this until it's all done. it's going to be quiet here for what will likely be a few weeks.

it's not clear to me if any patterns are going to arise in terms of the tracks being out of sync. if this becomes a consistent nightmare, i may even cut it short.

another option i could try is to resend the files in by splitting them over stereo; i could put the electronics and guitars on one channel and the bass on the other. it's really the bass that needs attention, more than the rest. but some of the guitar tracks have multiple overdubs that need some eq work, so it can't be a general solution. that would sync them correctly. but it's not my first option....

4-track recording is of course always mono, unless you use two tracks, which i never did.

the other thing is that these tapes are 16 or 17 years old. the sync issues may be due to slight warps, and they may not exist in all tracks.