with that piece, i also finally finish off my fifth record, which happens to be inri033 (i posted inri032 a few weeks ago). it's been a long time since i've finished a full record; i've been recording fragments and compiling unfinished ideas for a full fourteen years. i came out here to get some work done, and i'm proud to say i've accomplished something. i'm dating the disc to december, 2001 because that's when the ideas were completed.
my fourth record (deny everything, late 2000) was a giant jump forward for me, in moving beyond the synth pop i was recording as a teenager. if somebody ever goes through this stuff and sorts it all out, they're going to draw a pretty big line in the sand there. the third record (inridiculous, 1999) was moving beyond it, but it somewhat purposefully lacked any kind of cohesion. it was, after all, *ridiculous*. deny everything is still fundamentally electronic music, but it's leaning towards something bigger.
this fifth disc jumps head first into modern classical music, while utilizing a lot of electronic textures. there's really very little that ties this into any kind of "rock" or "pop" tradition. i'd have to argue it's a fairly difficult listen, but i like it that way.
it's the full 80 minutes, shy a few seconds of it.
it won't be fourteen years until the sixth disc. in fact, it should require a lot less effort because the pieces are in a more complete state. it will be retreating substantially from the kind of formal pieces that are present here; it's more of a "rock" record. i'm hoping to get it up by the end of the year.
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this is a full record of material documenting tracks written in 2001 that were in a more "serious" style and completed from 2001-2014.
the intent with the core of the material (1,3,6,7,8) was for it to be performed by live musicians one day. in early 2014, i came to the conclusion that this was not going to ever happen and was pleasantly surprised to learn that the technology had improved enough for a realistic presentation of the material using sequencers. these versions of (1,3,6) also include live guitars.
tracks 2 and 5 were salvaged from an aborted project meant to reinterpret classical guitar music as modern noise. the project was permanently aborted due to the loss of the sheet music that was necessary to finish it. more information here:
jasonparent.bandcamp.com/album/js-adventures-in-guitarland
track 4 is an electric folk tune with heavy counterpoint that i was playing live as a party trick at the time.
the ordering is roughly chronological, based on the date the track took the form it exists in. tracks 1, 3 and 8 were written in 2001 and reinterpreted and completed in 2014. tracks 2 and 5 were interpreted and completed in 2001. track 4 was written in 2000 and reinterpreted and recorded in 2001. track 6 was written in 2001 and completed in 2006. track 7 was written in 1998, reinterpreted in 2001 and rendered in 2014. tracks 1-7 were sequenced on sept 9, 2014. final completion date is oct 3, 2014. as always, please use headphones.
credits:
j - electric piano, programming, classical & acoustic
& electric guitars, ebow, digital & analog effects &
treatments, organ, synthesizers, sound design, sampling, vocals, digital
wave editing, loops, production, composition.
the
various rendered electronic orchestras include acoustic bass, electric
bass, synth bass, distorted electric guitar, clean electric guitar,
steel string acoustic guitar, nylon guitar, trumpet, trombone, brass
ensemble, orchestra hit, violin, cello, viola, contrabass, piano,
synthesizers, mellotron, organ, bamboo flute, clarinet, flute, voice,
music box, bells, clavinet, kalimba, drum kit, hand drums, drum machines
and electronic drums.
released december 1, 2001
https://jasonparent.bandcamp.com/album/jjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
