Wednesday, February 21, 2018

thoughts on the new chelsea wolfe record

so, am i a chelsea wolfe fan, yet?

i missed her in the fall in detroit (after catching her in 2016) because the venue (which had recently been shut down for overbooking a melvins concert) was sold out; the truth is that she could have probably filled a venue twice the size, but there wasn't one here for her to fill. this is actually becoming a problem in detroit, as we're down to one serious venue, here ('el club') and while it is great for what it is, it is also simply too small for a lot of what gets booked at it - including both the melvins and chelsea wolfe.

believe it or not, there is nowhere in detroit for a rock band that can fill a 2,000-3,000 seat arena. you can go smaller. you can go bigger. but, about 2,000 people is really the sweet spot for a solid concert and it just doesn't exist.

she probably should have played the majestic theatre, but it's been taken over by a management team that appears to be hostile to good music. to put it another way, the venue seems to be actively attempting to discourage anybody older than 30 from ever hanging out there ever again. this is the famous bowling alley in detroit...

i mean, i wasn't in on the call, but i promise you they wouldn't book the show. yeah. chelsea wolfe. this is the new detroit, folks....

anyways, how's the record?

well, i'm getting the same basic feel that i have from the last few: this is meant to see live. even the vocals are mixed in the distance, which is meant to facilitate extreme volume. i'm finding it enjoyable enough to listen to in the background. but, with all of the fancy headphone music out there nowadays, it's hard to see me coming back to this or really getting lost in it.

i bet the show was great, though.

i'm sure i'll get to see her play again, and that will be the best way to enjoy these songs.